Callahan, Siskind, Sommer: At the Crossroads of American PhotographyAt the Crossroads of American Photography examines the aesthetic and personal interrelationships of three photographers who helped define the course of American photography after Steiglitz: Frederick Sommer (1905 1999), Harry Callahan (1912 1999) and Aaron Siskind (1903 1991). Although each member of this "holy trinity" (as they were dubbed by photographer and publisher Jonathan Williams) has been honored with individual museum retrospectives, this is

Establishing mood with natural lighting

quietly belying the magnitude of the elements

François Halard (b

The liminal experience of these visions amplifies the lyrical and visceral character of the landscape and the natural environment

At the heart of these intimate

and historians such as Kasahara Michiko

and is therefore an apt lens through which to examine American identity

philosophy

Dedicated to his friend and mentor Peter Hujar

I was never a photographer holding a camera but a vessel to tell a story

An arresting and vibrant visual essay combining magnificent vistas with intimate emotional detail

A photobook anthology that documents CLAP